Crises of Meaning in Communities of Creative Appropriation – A Case Study of the 2010 RE/Mixed Media Festival

Routledge Companion to Remix Studies

I was asked The Routledge Companion to Remix Studies to contribute a chapter about my experiences and observations as director of the RE/Mixed Media Festival, which I produced every year from 2010-2014. My chapter documents a crisis of legitimation between industry and artist, but also one of meaning within the remix community itself.

The book is available for purchase on, but you can read my chapter below, or download it as a pdf.

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